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Andrew Wyeth
c. 1935 |
Andrew Wyeth Biography
Andrew
Wyeth, the youngest son of N.C. Wyeth, is the most acclaimed
artist in the family. He has been recognized internationally as
America's foremost realist. Andrew was particularly close to his
father and began studying with him at an early age.
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N.C Wyeth and Andrew Wyeth
Maine, 1936 |
He
never attended school - although he had a tutor. N.C. felt that
the years most children spent in school were the most critical
time for an artist to perfect his craft and to absorb, and
learn, to "see" as an artist. The essence of Andrew Wyeth's art
is best expressed in his own words, "I search for the realness,
the real feeling of a subject, all the texture around it ... I
always want to see the third dimension of something ... I want
to come alive with the object."
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Andrew Wyeth
Brinston's Mill
Chadds Ford, c. 1970 |
Andrew
respects the materials he works with and they become an
influence in his work. Andrew's Drawing of a Pirate
exhibits the emotion and quickness of the pen and ink media. The
pen influences his lines and the drawings created represent his
most abstract works.
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Andrew Wyeth, 1985 |
Tree
on Sugarloaf is one of Andrew's watercolors. Here, the
strokes of his brush are even less controlled than those of the
pen. Andrew said "The only virtue is to put down an idea about
what you feel at the moment." This virtue is integrated into
Andrew's watercolors and allows him to use this media as well as
any other artist. Christina's World is Andrew's most
famous painting as well as one of the best examples of the
tempera media. This technique combines his drawing and
watercolor skills. Andrew worked broadly at first and then
concentrated on the details as he built up layers of paint.
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Drawing of a Pirate |
The
broad appeal of this work is attested to the fact that it now
hangs in the Museum of Modern Art in New York. His Helga
collection, which was discovered in the 1980s, received national
publicity and has been on display in major cities throughout the
United States. This collection shows the universal appeal of
Andrew Wyeth.
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Tree on Sugarloaf |
There
is not another painter today who would have attracted as much
attention if his never before seen works were discovered. Andrew
Wyeth's realism is a mix of art and life that we are all able to
enjoy and understand
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Christina's World |
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